TOOLS OF THE TRADE

“The Ascent”

An old ladder leans like a forgotten relic against the winter cabin’s edge—pointing not to shingles, but to stars. Its rungs, worn smooth by use and weather, belong to another era—back when tools were built to last, with weight and purpose.

This is my summer cabin, warm and alive in the long green months—screen doors clapping, coffee on the porch, laughter in the trees. But winter changes everything. The forest falls silent, and the cabin shifts into a quieter presence—cold, still, but no less comforting. A shelter of another kind.

Above, the cosmos burns cold and infinite; below, a narrow crack of warm light spills from the door, like an ember refusing to die. The hush of deep winter presses in from all sides, yet something waits—half hidden in shadow, half written in starlight.

“THE WOODSMAN"

An axe rests motionless on a weathered stump, its silhouette sharp against the burning hush of northern light. The trees stand like sentinels beneath a thousand stars, and the last swing of the blade lingers in the cold night air.

This image was made along an old logging trail that once fed the hunger of sawmills—still etched into the wilderness beside Clearwater Historic Lodge. Now silent, the path remains, holding the weight of history in its frozen soil and the faint echo of boots, hooves, and iron wheels long gone.

Perhaps a woodsman once stood here, shoulders aching, breath steaming in the dusk. He trusted this axe the way others trust a compass—each swing a heartbeat, each log a meal or a roof. Some say you can still hear him on cold nights, working by starlight, cutting deeper into the quiet than sound ever could.

“Crown OF FLOWERS”

These axe heads once split pine and birch, carving trails through snow and silence. They’ve rested here for decades—stacked like bones beneath the floorboards of the lodge, their edges dulled but not forgotten. Tools once meant for labor, now relics of a wilder rhythm. And then came the flowers—gathered from the forest just beyond the porch, where lupine bloom. I crowned the rust and iron with color. Maybe because even the sharpest things deserve beauty

“FRACTURED”

An old Ford Ranger sleeps beneath a sky stitched with stars, its frame softened by rust, weeds, and time. Long parked in the graveyard behind Clearwater Historic Lodge, it no longer runs—but it remains. The trees rise around it like pallbearers, the reflection of starlight glinting off its window like a final breath.

There’s a faint glow in the cab, like something still lingers inside—laughter caught in the rearview, coffee steam on a winter morning, the weight of a hand resting on the wheel. It once carried firewood, fishing rods, and quiet conversations between long stretches of road. What once moved through these woods now rests in them, slowly becoming part of the forest it once knew by heart.

“STEEL BONES”

Under the weight of leaves and silence, the old plow truck waits—its frame rusted, its engine quiet, its work long finished. On this fall night, the stars spilled across the sky while the truck caught the glow like memory itself, still holding the shape of effort and purpose.

There’s a kind of dignity in machines like this—used hard, but never broken. It carried weight not meant for its own, braved storms without protest, and always came when called. Even now, resting in stillness, it deserves respect. The bond between human and machine runs deeper than oil and metal—it runs through loyalty, wear, and time.